Translucent Borders traveled twice to Cuba in 2017. During the first trip (January) , we initiated exchanges of creative practices with the dancers and musicians of Ballet Folklorico Cutumba in Santiago de Cuba, and the group Los Hermanos Arango in Havana. We also observed rehearsals for a new opera by Translucent Borders artist Frank London, Hatuey: Memory of Fire, created for Opera de la Calle in Havana. In April, Cutumba invited us back to Santiago to participate in the Fidanz Fest, an international festival of dance and music. For this festival, Steinhardt Professor Valerie Naranjo composed music for a new piece, Tierra Pura, choreographed by Tisch Professor Jim Martin. We also presented a piece depicting the history of percussive dance in America, Viajando a Pie, and music and dance for the art exhibition Las Desaparecídas, in the Galería de Oriente.
By James Martin
After dark, the streets filled with music. Drums, horns, singing, and strumming. As you walked along, there wasn’t a street that didn’t have the music of two or three bands saturating the night air. I was starting to relax. Time was an ocean, the oily air was sensual, and music was everywhere.
By Deborah Kapchan, in collaboration with Frank London
When I landed in the Havana airport on January 4th 2017, the air embraced me like a warm sea, the boundaries of my skin loosening in the heat. The airport was teeming with taxi drivers holding signs as well as tourists looking for their ride. I searched for my name to no avail. My driver had not come. So I tried to get Cuban money from a Citibank ATM – in case I needed to get my own taxi – until I noticed the words “for deposit only” above the machine. At that point I went outside to wait, breathing in the tobacco smoke that filled the humid air.